after showcasing his knack for emotive productions via various eps throughout his career, including chart-topping singles on hot since 82s knee deep in sound and dave seamans selador, the swiss artist several definitions now reveals his first full-length album. it should come as no surprise that the artist found familiarity in what he calls the berlin style of electronic music and notably, that of oliver koletzkis stil vor talent. reborn after the road is an intense and emotional affair, consisting of 14 tracks crafted using field and live recordings, switching between analogue and digital to mould a sonic atmosphere that emblazons the artists core ethos. although the personal experience that sparked the inspiration for the lp is far from pleasant, several definitions style is audibly resolute. reborn after the road, the albums eponymous track, creates a fitting intro for the healing process that is to follow. its airy pads and majestic strings sonically stand at the epicenter of the expressive album. several definitions continues to explore these sounds on vaporous slices like pontce?ard 32 or the more acidical last breath. the mellifluous, feminine vocals of lameduza on learn to feel and her, as well as spanish singer goldsuns crooner talents on the introspective trust, on the other hand, showcase several definitions ability to work the human voice into his musical explorations. taking introspection one step further towards darker realms, senelity then feels like a rite of passage into the deeper and more intense segment at the albums core. over you briefly signals a turning point, with its alarm-like synths and grave leads, which is then followed by the glitchy resistance on modular spaces.

for its 23rd release, berlin-based italian label out-er welcomes techno fellows dj spider and phil moffa for v ep .
the collaboration between the italian label and the two techno producers, follows a meeting in nyc between out-er co-founder simone gatto at the producers headquarter gatto always appreciated the artists musical peculiarity and, generally, supports distorted electronic sounds, which anyway already found space on the label’s previous releases thanks to the efforts of the analogue cops, christopher rau and marieu.

having returned from a three year hiatus with inner lakes s ep earlier in 2017, vae victis records - the italian label that has previously been home to music from blawan & analogue cops, chevel and tessela - returns with a debut ep of post-internet electro/techno of the highest possible fidelity from mysterious collective hype killers.

it s an honour for ce to welcome the electro super group of of keith tenniswood aka radioactive man, phil klein aka bass junkie, simon brown aka the dexorcist and matt whitehead to the label for ce022. keith, phil and si are electro pioneers of the uk sound who have inspired the label long before it s inception in 2007. matt whitehead has been with ce from the start featuring as signal type with sync 24 on ce001 and appearing on several of the early releases. welcome to the -resonance committee- the resonance committee are a core of 4 like minded producers committed to keeping the electronic groove alive via vintage analogue technology. -created and mutated for those who know, who feel the flow of electricity in their veins, their brains. we remain unchained!- meetings are held twice a year in a london studio where live jam sessions are recorded and edited for your listening pleasure. expect to see more members join this ever fluctuating collective for future releases. rc 2017

having impressed on the home grown ep, released in march of this year, london modular alliance return to hypercolour with the 5 track wolves ep. once again, a heavy arsenal of modular synths and analogue hardware were deployed in the production of these tracks, each once packing a punch and aesthetic that will appeal to many. ôbrockie detö fires out the blocks with on point electro beats and melancholic pads, whilst militant continues the theme, with dusted drums and thick washes of bass for a real futuristic funk moment. elsewhere on the ep, the disassembled arrangement of advance & proceed gives off a cold and discordant atmosphere, but remains firmly in groove and sonically tight, theres a distinct jazz flare in the mix also! tremors hits hard and heavy, giving the detroit electro cats a run for their money, whilst the ep title track, wolves is a busy and inspired slab of british idm at its very best.

figure jams is back with a another fresh and exciting pairing of artists. this time the record is a collection of pure analogue goodness, sparkling ripe with synthesizer magic. the a-side comes courtesy of duo-of-the-moment twr72, who happen to distill perfection through simplicity in their stripped-back productions. while‚polished is a pulsating bit of beatless yet captivating clean-cut loops, their other contribution shows their talent at crafting something lean, dry and punchy, which is still undeniably driving and hypnotic. picking up on the synth-heavy theme of this release is st. petersburgs finest aleksey niktin aka nocow. inspired by the endless baltic winters, the producer packs his tracks with emtions that feel cold but not icy, engulfing the listener in winching waves of melancholic electronica.

steffi occupies a unique space in the realm of contemporary electronic music. although she s a world renowned dj, steffi s musical interests reach far beyond the dancefloor, and it s her work as a producer that has established an impressive, hard-won legacy. soon after moving to berlin in 2007, steffi joined ostgut, becoming a resident at panorama bar and releasing on the club s label. to date she s released five albums, including two solo for ostgut ton, a co-production with virginia, another with analogue cops as third side and a collaboration as doms & deykers on martyn s 3024 label. her impressive discography features club classics like “ yours feat. virginia” , carefully chosen remixes and appearances on labels including permanent vacation, underground quality and mixes for panorama bar and fabric. she owns and operates four labels: klakson (with dexter), dolly, dolly deluxe and dolly dubs. world of the waking state is steffi s third solo album for ostgut ton and a musical departure for both her and the label. it s also a serious statement of intent. over ten tracks she embarks on entirely new electronic terrain for her productions, marking industrial spaces with superlunary warmth while exercising a refined knowledge of polyphony and arrangement. subdued melodies interact with each other over implied harmonies and microcosmic drum patterns, luring us into a world that is introverted, bewildering and gratifying all at once.

repress without cover , the sound of 2020 is new jazz and old funk with an electronic city pace, brought to you by duo the colours that rise. made up of multi-instrumentalists and producers simeon jones and nathanael williams, their 2020 ep is a confident guide through future sounds and past histories from a time yet to come. created using analogue synths and acoustic instruments, the 4 track ep works as the score to a yet to be created animation. nathanael s background is creating soundtracks for films, while simeon plays with uk jazz prophets yussef kamaal and featured on henry wu’s ‘negotiate’ 12”. providing groove for the dancer and hidden meanings for the listener, 2020 is plugged in to the pulse of uk dancefloors and the resurgence of funk audiences. with their fusion sound, the colours that rise are another welcome addition to the new ‘uk jazz invasion’ alongside their friends and colleagues yussef kamaal and the comet is coming. 2020 is an experimental electronic voyage that emerges from the ambient and arrives on the dance floor. .

the second addition to the txtrl vinyl series comes courtesy of label owners, 138. three analogue techno jams accompanied by a driving remix from and.

liem and eddie ness are back on home turf with a club oriented four-tracker, the metronic disco fever ep. four punchy, tempo-driven house tunes that stick together like glue. produced entirely in their studio in hamburg, these tracks have that analogue, spontaneous feel and pack some serious dance floor weight

warehouse find. stunning dat tapes by unknown enigmatic producer. dusty 1990 s analogue house dancefloor killers. do. not. sleep. 10- vinyl only. 150 copies. 3rd part of a 5 part ep series.

since four triangles was founded to release material from previously unheralded artists working in the space between house, techno and vintage rave, it seems fitting that the label’s second release should come from an analogue explorer still making his way in the world.
you may have stumbled across jonas friedlich’s debut solo 12”, a thrillingly forthright collection of hardware workouts that slipped out, unheralded, on molten moods late last year. we think the five tracks showcased here offer an extended glimpse in friedlich’s distinctive musical vision.

this summer 2017 tom bulwer launches parasol culture, a vinyl only imprint, focusing on quality house and techno, with a tinge of “it’s a london thing”. dutch born tom came to london as a uk garage dj working up his way the ranks of pirate radio stations (freek fm, unknown fm), to producing and working with uk garage legend karl ‘tuff enuff’ brown. this year tom is focusing on tb audio, his analogue mastering studio in east london, and producing music on the deeper side of house and techno as a solo artist. tom has released on labels such as nu faze, !k7 and signatune records. he also regularly writes with long term partner in crime anna wall under their own names and under their moniker casse. the first parasol culture release is the output of tom and anna’s winter months under the same roof and in his studio in hackney wick. 2017 also sees tom start a new venture with dexter kane (murmur, get physical, fear of flying), aptly named, alternate facts, a vinyl only label and free party series, wax and stacks, party over profit, power to the people.

london head aroop roy takes on brazilian rhythms for the 4th time on gamm and its quite possibly the best one yet. the working formula, simple but yet very well crafted to work both in clubs and for home listening. first off we get -flecha de foga- that uses a rare nazare pereira samba track as the foundation but with loads of added chords, beats and production details. on the flip todo mundo tem amor marries a driving analogue bassline to an amped up version of another sul americano classic - blazing !

vinyl only
lucretio s first solo release on memento, the -system pressure e.p.- is a piece of carefully handcrafted nightclub music. the late-hours anthem -addict to the dancefloor- combines the early 90s heart-felt grooves with the state of the art of contemporary electronic production. -2bpad1- is a relentless ride of voltage controlled oscillators and hexadecimal quirks over hefty bare drums processed with a juicy analogue filter. finally -love wont leave- bring back together house and techno, melting their rhythm and blues essence into an absolute peak-time conjunction.

with the asexual ep by yobkiss, electronic emergencies is back with a true electronic delight. yobkiss consists of dutch instrumentalist and producer paul borchers, currently based in san fransisco, and tokyo resident yuko araki on vocals. their music balances on the edge of avant-garde electronics and flirts with acid pop in dreamy soundscapes, with an analogue synth sound and beautiful vocals in japanese and english. or, in their own words, a pitch-dark, filth-ridden tour de force into the worlds of acid house and electro.

apollo proudly presents a full release of the stunning debut album released by sw. sw s lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s apollo releases of biosphere and robert leiner in all their balmy glory. originally issued on vinyl only via sw’s own sued imprint, this apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally. as a label, sued has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both sw and svn, as well as collaborations and comradeship with other analogue obsessed auteurs such as dynamo dreesen (who teams up with svn as dresvn), dj sotofett, dj fett burger, pg sounds and club no-no, aka snorre magnar solberg.

first ever commercial release for this ultra-rare holy grail 1974 library/production music lp, limited edition 200 gram deluxe replica lp with exclusive scholarly liner notes by alvin lucia and unpublished photos. full dynamic range 2015 remaster direct from the first generation analogue master tapes armando sciascia, by day, notable composer for italian erotic and exotic cinema, by night, experimentalist and nocturnal avant-gardener.

rebel intelligence return with a new 4 track ep of electro from john davies aka datassette. the tracks were composed using a vintage japanese analogue setup, delivering a warm sound reminiscent of 80 s wave with the title track paying homage to mr flagio and i.m.s. the b side -metropolis light transport- brings a strong drexciyan influence matched to the signature sound you ve expect from a datassette release.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

sunlightsquare s first single of 2017, oyelo, is a mixture of jazz, cuban and house music in its most authentic form. starting with moody latin-jazz piano and sun-drenched live percussion played by master percussionist giovanni imparato, the track is driven by the classic house beat of the tr-909 - the legendary 1980 s drum machine. ronnie scott s resident cuban singer rene alvarez delivers the impassioned vocals, followed by the main man claudio passavanti s heated montuno piano riffs, which combine seamlessly to create a blissful, dance-floor experience. it s a perfect marriage of organic grooves, lush beats and soulful vocals, joining the dots between different generations of latin dance music.
for the b side, london based, japanese producer kay suzuki transformed the original track into his signature psychedelic journey in 2 parts. his by the sea mix takes you to the havana beach with its synthesiser generated waves & seagulls right from the intro. the stripped-down beats and vocals are smoothly laid out with warm analogue synth textures, giving more space to claudio s tasteful latin-jazz keyboard improvisations. in contrast, the drum dub goes to the opposite side of the spectrum, all the musical elements have been removed, focusing solely on the live percussion and the raw tr-909 beat, all dubbed out with tape delays for a classic cosmic dub treatment.

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

nu era delivers another dose of deep-soulful house produced by marc mac. this detroit style 4 track ep is backed with genre-fused science, analogue machines woven together by chords, melodies and beats we ve come to expect from nu era, at times the string laden 4hero sound is synonymous throughout the four tracks and although synthetic still full of emotion. the vinyl release is a lovely transparent red and an animated label design is a nice bonus, limited to 300 copies.

* download code available with proof of purchase * * voyage, a new and now exclusive signing debuts with a full length album release * like a ghost from the golden era of 90s tech step amen fuelled drum and bass this album has been very well received especially by the older generation * fat, analogue, powerful, real drum & bass * press / promotion: club and radio play from

the label from japan “florklang” has started up in 2016. now florklang is releasing the second vinyl by producer tk lawrence from brooklyn who debut from irish cavalier and played actively in dub pistols. the records include “they all float down here” that he expressed the influence of horror-core into creepy organ sound. also you could hear everywhere the taste of hip-hop and jazz from “tribute to where we come from” and “rap dinosaurs” in side b. the record includes 4 other various tracks that you could feel the new york abundant scene where he brought up. further more each track based on akai s950 and analogue machines when it has created.

pure raw analogue vinyl power ... fantasitc vinyl only

4 years after the conception of heist recordings with the break up to make up ep by label heads dam swindle, they deliver their 4th solo record and release no.26 for the label. on the cant hold it ep, the guys showcase their love for lush disco, analogue basslines and leftfield musicians, bringing in nyc native willie burns for a remix that shows you the darkest side of heist yet.

science fiction shifted from their early deep territories of house to the current broken beats of electro, keeping the characteristic classic analogue warmth. this ep is made by various artists, and it comes under the signature of an obsessive majestic presence of the 808 beat, that sounds like an accidental tribute to the creator of this drum machine, founder of roland corporation, that has died on april the 1st as a fool that changed the way to make music since early 80es. tracks are mostly sustained, from synched sequences of hinode to the final atmospheric obscure modular landscapes of exterminador, chromed by ngly distortions in track 02. dj nephil on the b side introduces a solid visionary chicagesque mellow atmosphere.

ltd repress !! this special one off collaboration sees young gun native berliner prodigy max graef, coupled with globe trotter fantastic man aka mic newman. with mic living in max s broom cupboard for a few vodka soaked weeks in berlin this autumn, there was a beautiful inevitability that some music would outcome. the lead track -soothe me- is no noodly shrinking violet, but a grade 10-cross-genre-dance-floor-destroyer which andy snapped up for label on first listen. clearly taking it s inspiration from the rhodes and sample drenched sound signature detroit label and adding in live instrumentation, tape effects, for a track rich in steely dan sensibility, coupled with a sub bass and twisted lead line dragging us into a new year. the b-side relaxin at the flip is a raw slab of analogue goodness, flying 606 high hats, a tough kick drum and simple elements driving the track forwards, best heard 8am in a dark corner of a club.

the first clouded vision recordings release of 2017 comes from label owner matt walsh teaming up with stratowerx aka sam russo. the ep is completed with a remix from one of matt’s long-term studio partners, scott fraser, who makes a long awaited debut on the label. the three tracks were recorded over the course of 2016, with the two producers sending parts back and forth via email and the result sees a clear middle ground of minimalistic analogue electro and techno. scott’s surface pressure remix turns the first track “no function” into a dark drexciyan electro brooder, rounding off the ep very nicely indeed.

proof of the rude health of the australian underground abounds with this new label from phile, who step out with a self-titled debut ep that tells you all you need to know. this is searing, brutalist techno crafted with invention and imagination - the dense crackle of the beats and scorched peals of synth on -found in blood- are a visceral force to behold. -marauder- is mellow by comparison, furnishing a minimal beat with live bass, dramatic string licks and steadily building atmospherics. the analogue dirt of -abhor- is positively evil, and that s before karina utomo s none-scarier vocals come into play. brimming with personality and demanding of your attention, phile made themselves a duo to watch in one fell swoop.

catherine and gerald o-connell s work as lives of angels quietly and subtly helped to define a whole generation of post-punkers for the greater part of the 1980s. much like other luminaries of the scene at the time, the couple have remained in the shadows of time, highly praised by the collectors but barely ever cited by the mainstream, and if that s not punk then we don t know what is. dark entries are doing the honours of course, and the imprint have managed to license a whole bag of previously released and unreleased material, the former from a bunch of dusty cassettes which are now going for gold on the second-hand market. this was the era of the drum machine, and these 11 tunes are all carried by that unmistakable analogue swing, at times harsh and leaning into something tech-minded, and at other times playful and quirky, a tendency which defined this outfit and the time in which they operated. what a record, this is another dark entries monster

psycomat return with another super limited and experimental offering, this time from reason stendec. the a-side is an electronic dream take on an acapella version, subjecting reason stendec to extreme stretches, bends and vocoder abuse. the aa-side tries gamely to accommodate jono’s 9-minute kumo mix, a slab of unashamed banging techno that kicks like a buffalo and belches noxious acid fumes from arcane circuits that swell into an analogue meteor shower.

jaxx madicine is a jazz-funk inspired house ish outfit from milan consisting of turbojazz (local talk, gamm records), parker madicine (heist, bastard jazz brooklyn, ct-hi records) and the talented jazz keyboardist veez_0 . with an organic and melodic sound collage you can hear influences from classic 70 s jazz-funk labels and artists like cti, mizell brothers, kudu and bob james but also the current sounds of kaidi tatham, byron the aquarius and harvey sutherland. on this their first ep you get three amazing tracks that all are made with a genuine love for analogue synthesizers, fender rhodes, clavinets and some soulful mpc programming...

it is almost summertime and endless welcomes the brazilian analogue wizard zopelar. >origini< is a cinematic techno track which is the result of a full analog jam, his obsession with vintage synths and drum machines. the track opened most of last live years shows. zopelar is also writing and producing various forms of propulsive pop, running the excellent >in their feeling< label founded in 2015 together with his good friend davis, as well as performing in clubs and festival with his live techno project. on the remix a man who doesnt need introductions: ripperton, the finest swiss dj and producer, delivering two superb and outstanding remixes! from immersive dark techno to refined house, ripperton adds a fresh alternative sense of introspection to >origini<. we were simply delighted from the very first listen! enjoy!

nice price deal !!! having put out releases to mini acclaim on esteemed labels such as dfa, dissident distribution, astro lab, their own the walls have ears imprint, cage & aviary are now set to spread their wings with a brand new spanking release for tiny sticks and its a winner in every way! two very individualistic tracks that ooze charm & personality. on the flip nycs brennan green runs with the acid theme in the original and turns in a pure analogue master class. amazing! dj support from: james murphy, joe hot chip, mark e, cosmo vitelli, roy dank, inflagranti, toby tobias, lexx, azari & iii, peoples popular front, etc etc...

2017: the camo & krooked takeover continues to permeate every corner of the electronic music landscape as they take their unique sound to uncharted pastures. two successful singles, one high profile remix of noisia, one essential mix and a non-stop world tour into 2017, the austrian music-producer a-listers now present the most critical releases of their career...
after three long years of the deepest studio craft they’ve ever committed to, camo (reini) & krooked (markus) have delivered their most unifying, high profile vocal track like i do with fellow vienna artist and runaway songwriter sensation james hersey. then, on june 23, they will finally unveil their most startling, detailed and singular body of work yet - mosaik.
their fourth album since emerging in 2007, mosaik is a pivotal document that elevates camo & krooked’s creative credentials, vision and technique to brave new levels. the result of years of studio hibernation, studying vintage analogue instruments, honing their instantly distinctive signature, songwriting skills and, in markus’ case, even finding their own singing voice, mosaik galvanizes the duo’s position as one of the most exciting, unique, innovative and in-demand acts in electronic music.

reissue of elton s third album as part of the initiative to have a greater representation of elton s catalogue on vinyl in the marketplace, to tie in with the celebrations of elton s 70th birthday year and 50 years of the writing partnership between elton john and bernie taupin in 2017. all tracks remastered from the original analogue tapes by bob ludwig at gateway mastering, portland, maine, with vinyl cutting by sean magee at abbey road studios, london. artwork faithfully reproduced from original archive material.

after the success of the first release, we play the music we love strikes again with a new massive ep made by a mysterious but well known artist duo: tdj. after many releases on their label hpty, the analogue guys decided to release on wptmwl02 lights go out, a strong refine ep made to satisfy both dancefloors and polished listeners as well. lights go out is a techno track with dark and rave influences perfect for the big room. lapien, from artefakt project and dvs1 mistress recording, reconstructs the track and trasform the mood. the result is a very deep techno gem. exclusive vinyl. must have!

matthew burton’s charismatic vielen donk ep is the first release from berlin imprint chord records. four off-kilter techno charmers from the british producer’s analogue world.

hand-picked selection of tracks by uk s negative response in this initial limited run of 300 discs. negative response is a diy minimal synth project that formed in 1980. they self-released 3 cassettes from 1981-1983 as well as playing a number of gigs from 82-85. the tracks embody a very melancholy atmosphere reinforced by their arsenal of early electronic analogue equipment. this collection will certainly appeal to fans of early bedroom synth artists such as john bender and other diy home recording moguls of the era. all tracks remastered from cassette by martin bowes at the cage, uk.

nyako is our 7th vinyl release here at otc and it s a big one. south african producer behr created nyako together with makadem during a santuri safari session at sondeka festival in kenya. the e.p is 4 cuts that build in brilliance from the original which has extremely broad appeal. indian producer daisho delivers a straight ahead 4 x 4 house groover, south-london production duo modified man swing their analogue machines into action for a heady synth adventure, which is just a bit broken. berlin-based duo of dirk leyers and dj nomad (hans reuschl) are the ideal pairing to merge technology and tradition together as africaine808 bring up the rear with a balearic sensation to round off the ep. makadem is a talented musician and vibrant performing artist from kenya. he s a figurehead of the benga scene in nairobi. his stage presence and powerful vocal delivery, had him likened to the legendary fela kuti. makadem innovates by bringing traditional african instrumentation, story telling and contemporary production methods together.

ensos 4th installment is a 3-tracker which bears the distinct signature of intrepid soul: electro, acid, hypnotic modulated synths. side a comprises 2 tracks: e.c. nature and rikimbili. the first track features a driving bassline and a hypnotic electro-ish synth theme. rikimbli is more playful, with glitchy percussions and an acid-esque synth theme. its like the marching theme of an army of robots. side b features idiogenic, which shows a more deep and melodic side of the artist. all 3 tracks are fine examples of intrepid soul’s exquisite analogue production and we believe they fit perfectly with what enso is all about.

synthetic is a track from iib debutant kimopots. sythetic is a deep grooving house cut. eastern elements and soft arps melting with subtle technoy acid vibes. dreamy. ilija rudman brings out the analogue hardware and adds a boogieesque bassline keeping the deepness. finally robot 84 pumps it up a touch with a nod towards italian house sounds of the early 90s. 3 great versions

intergalactic, retro-futurist broken beat-ish track by legendary drum&bass producer seba teaming up with o persson under the east bound moniker. daniel savio follows with a laid-back spacey synth journey, spiced with a 70ies sci-fi flavor, yet with a modern approach. the b-side meanwhile takes off with a dark, yet progressive techno groover by young talent bonaca, ending with daniel araya s analogue-rich bomb, with a body-music type of vibe. operating under the radar, but romb records have so far been pushing an immensely diverse, yet cohesive soundscape of quality underground electronic music. the thirteenth release is no different, neatly summing up the label s genre-defying philosophy, presenting a four track collage of electronic mastery. that s how you do it!

the 7 year anniversary ep! dame-music is proud to present its 35th release, which also marks the special occasion of their 7th birthday. to celebrate, bloody mary has invited friends both new and old to the label for this various artists release. for the label s 35th release, bloody mary welcomes two new artists, the analogue cops and milton bradley, otherwise known by his alias alien rain. as well as this, she has invited label friend boo williams back to dame-music once again. the analogue cops present their track shonen jump on the a-side alongside milton bradley vs bloody mary s collaboration track tales from space . the b-side sees boo williams deliver a full side with his track animation .

the systems that maintain the total spreading and keeps the western civilisation enslaved under the foot of capitalism are destroyed. the analogue reality reaches you unfiltered and seven billion screens show white noise. the fax network is the only thing working...
hoga nord rekords proudly present ultra satan! a body that have lent blood from other acts on the label, such as spr, tentakel, fontan and the exorcist gbg, are releasing their first 7inch. ultra satan displays with the two tracks usa and usb, an almost unprecedented unrestrained creative force, stemmed from the ambition to destroy and rebuild. rebuild something free and unexplored.

fresh from a run of sell-out prince edits supported by dj sprinkes, tensnake and groove armada cloud house return with a fresh batch of analogue disco burners straight out of stockholm. get acquainted with three future classics from the 08’ dialing-code. dusty grooves, raw cuts and hazy nostalgia on a frosty blue vinyl from the land of ice and snow.

nice price deal !!! planet x sees dave back as system status and head honcho of his own label night sweats. all three tracks on this debut outing for the label are brimming with the analogue warmth of daves beloved arp axxe and soulful samples from his treasured vinyl collection, creating a juxtaposition of sounds that are essential for any discerning space raver!